All of the seams on the MOMA Beatfuse pool bottom were sealed using 3″ cloth tape and three coats of epoxy.
by Jerry Briggs
Each year The Museum of Modern Art and P.S.1 Contemporary Art Center conducts what is known as the P.S.1 / MOMA Young Architects Program. The competitors vie for the opportunity to build a temporary architectural project in the 17,000 square foot outdoor galleries of P.S.1 in Queens, New York. The structure serves as a venue for the popular outdoor music series, “Warm Up” which runs from June through September each year and boasts attendance in excess of 100,000 visitors per season. Continue reading →
Salmon growing up in a custom-built progressive ecosystem, ready for release.
By Ken Filipiak
The science teacher at the school where my wife works (West Ottawa Macatawa Bay School in Holland, Michigan) called me for help with his leaking aquarium which had flooded his classroom. This was no ordinary aquarium; it was one he had custom-built to show a progressive ecosystem—a brook to a stream to a pond for raising salmon. Continue reading →
Above: A colorful clay relief kitty by Christopher Tully.
Artist Christopher Tully does two unusual things with epoxy in his work. He creates large clay relief scenes with lots of detail made up of many tiles. After they are bisque fired he brushes on epoxy and heats them with a torch so the epoxy penetrates deeply into the porous clay. This creates an extremely strong surface that still has great detail. He then applies a primer and paints it with acrylics and a clear coat. Continue reading →
When the first grandson arrives, any grandfather knows he now has the chance to fulfill the dreams he had as a boy. A Formula 1 racing car would do for starters. A small model purchased for £4 was the starting point. The car will be ready for his third birthday so plenty of time (or so I thought). Continue reading →
Signmaker Bill Boudreau of Maria, Quebec, uses WEST SYSTEM® epoxy to build conventional laminated cedar signs, as well as rather unconventional signs like the big bicuspid. He also uses epoxy for projects that go beyond conventional signmaking—like this 15 ½’ guitar and an 8′ tall tooth.
The monster molar was built of wood, chicken wire, insulating foam, fiberglass, and epoxy. It’s finished with polyurethane paint and has held up very well under conditions of extreme cold and a salty environment.
What the… heck are these figures made of? Clay. These ceramic figures were created by Alma, Michigan sculptor, Curt LaCross. LaCross uses a mixture of WEST SYSTEM® epoxy and clay to assemble and finish large figures that must be fired in pieces.
Cosmic Muffin, a unique houseboat owned by Dave Drimmer, has quite an interesting history. She started out as a Boeing 307 Stratoliner, which was acquired by Howard Hughes in 1939 when he bought TWA. The Model 307 was the world’s first high-altitude commercial transport and the first four-engine airliner in scheduled domestic service. In 1948, Hughes had her interior redesigned, named her Flying Penthouse, and she became one of the first commercial airliners converted into a plush executive transport. Continue reading →
Above: While repairing Sparty, ceramicist Curt LaCross applies his custom matching epoxy coating.
For over fifty years, “Sparty” has been a familiar figure on the campus of Michigan State University in East Lansing, Michigan. The Spartan statue was built in 1945 and, at 11′ tall and 3000 lb, it is believed to be the world’s largest freestanding ceramic sculpture. Sparty has survived many an attack by vandals, but it is no match for Michigan winters. Continue reading →
Above: Palmer Hudson with his epoxy rocket, Glory. The rocket was 6″ in diameter and 9′ tall. The 3″ diameter motor was about 22″ long, with somewhere around 623 lb of thrust and a burn time of 2.6 seconds.
Palmer Hudson’s epoxy rocket, Glory was built out of phenolic tubes covered with fiberglass cloth. All construction was done using the WEST SYSTEM® Epoxy and Fillers. Continue reading →