In 2010, I was given a commission to do a base relief sculpture for the Pioneer Care Center, a new retirement home in Fergus Falls, Minnesota. The sculpture, called “Creation of Life” was to be mounted on a wall about 14′ off the floor. I knew I had to make it strong and lightweight. The method I used was to sculpt the design in oil based-clay on a large wooden easel. Then I covered the finished clay sculpture with several layers of clear silicone, occasionally adding cheesecloth for build up and strength. When the silicone was thick enough, I built a mold cradle, made of plaster and gauze reinforced Continue reading →
Bill Wood has been making sculpture since high school. He has a degree in Art from Ottawa University, Ottawa, Kansas and attended the Kansas City Art Institute, Kansas City, Missouri. His work has been featured in shows from Connecticut to Key West and as far west as Topeka Kansas. Continue reading →
After earning a B.A. in Philosophy, David Cumming began his craft by restoring lesser furniture (often salvaged) and then trading “up” for better pieces, learning about the nature of furniture construction in the process. Continue reading →
Claudia Toutain-Dorbec is a multi-media artist living in northern New Mexico. The Downey Gallery in Santa Fe asked Claudia to create a life-size sculpture in preparation for the city’s 400th birthday celebration which began Labor Day weekend 2009, and runs for a year. She created the Artistador, a conquistador who is also an artist, seeking his treasure in art. He stands with his arm extended pointing at his treasure, with brushes in hand, and a palette at his feet. The sculpture, displayed on the Downey Gallery’s roof, had to be lightweight, but strong enough to withstand high winds and all kinds of severe weather. Continue reading →
Artist Christopher Tully does two unusual things with epoxy in his work. He creates large clay relief scenes with lots of detail made up of many tiles. After they are bisque fired he brushes on epoxy and heats them with a torch so the epoxy penetrates deeply into the porous clay. This creates an extremely strong surface that still has great detail. He then applies a primer and paints it with acrylics and a clear coat. Continue reading →
What the… heck are these figures made of? Clay. These ceramic figures were created by Alma, Michigan sculptor, Curt LaCross. LaCross uses a mixture of WEST SYSTEM® epoxy and clay to assemble and finish large figures that must be fired in pieces.
that’s the title of this public art installation sculpture by Erie, Pennsylvania artist Mary Pat Lynch. Lynch used WEST SYSTEM® epoxy to apply layers of designer fabrics to the fiberglass fish. The project was sealed with epoxy and then coated with an anti-graffiti lacquer. Continue reading →
Since 1983 the Walpole, New Hampshire sculptor Jonathan Clowes (Clowes Sculpture) has been creating mobiles that hang in institutions and residences across the country. He uses WEST SYSTEM® epoxy as an adhesive and a coating for the wood laminate that form these pieces. Clowes describes his technique:
“In general, the long sinuous parts are formed from stacks of veneers that are bent over a mold to make a rough blank from which the pieces are carved. The most consistently good method for making molds is to bend strap steel or aluminum to the desired shape and support it with sufficient wood scrap bracing to form a backbone. Usually the bracing is held with screws or fillets of epoxy paste. Continue reading →
What has eyes yet cannot see? A potato. But not this one. This special spud is 15 feet long and hangs in an indoor/outdoor market. It also houses a security camera which peers out of smoked Lexan® eyes. So this potato does see, guarding the real potatoes and bananas from would-be vegetable larcenists.
Suppose you needed a 15 foot-long potato. Well, not a real potato, but a sculpture that looks just like a potato. Unlike your run-of-the-mill spud, this one would have to hang outside exposed to wind and weather. It would need to be sturdy and light weight. You’d also need it to last a long time — no rotting allowed. What would you make it out of? Continue reading →