Two large angular sculptures, black and gray, lean over a concrete plaza framed by red flowers. In the background, a storefront sign reads STARBUCKS COFFEE on a busy street.

Outdoor Sculpture Sculptor

A Little Less Than Meets The Eye is a 9′ x 7′ x 6′, Fiberglass and polished aluminum sculpture installed at Raleigh, North Carolina, Art on City Plaza. 

by Mike Barker

Bill Wood has been making sculptures since high school. He has a degree in Art from Ottawa University, Ottawa, Kansas and attended the Kansas City Art Institute, Kansas City, Missouri. His work has been featured in shows from Connecticut to Key West and as far west as Topeka Kansas.

A Little Less Than Meets the Eye

sculpture under construction

Wood tells us, “I had been using Polyester Resin and 6 oz cloth for my sculpture and was experiencing problems with cracking. The cracking appeared when I started showing my work in Florida. I believe that the high heat and humidity caused the cracking. In trying to solve these problems I learned about WEST SYSTEM® epoxy, and began using it. A Little Less Than Meets the Eye was my first project using WEST SYSTEM to repair the cracking that appeared after spending a year in Winter Haven Florida’s 9th Annual Florida Outdoor Sculpture Competition. A WEST SYSTEM Tech Adviser suggested I simply grind out the cracks and use the epoxy and filler, sand it, and paint. It was that easy, and after two years in two different shows the piece is crack-free and will need nothing more than a coat of paint before moving on to the next show.”

High Road

High Road is a 160″ x 42″ x 90″, fiberglass and steel. It was featured at The Studios of Key West Sculpture Garden from January through March of 2012. See more of Bill Wood’s work billwoodsculpture.com

A large dark panel with a yellow diagonal stripe is being marked by a man using a marker on a blue ladder beside a beige house. An elongated wooden frame holds a row of four wedge-shaped plywood panels angled upright on a workshop rack; a cluttered shop with shelves and tools surrounds them. A row of black, diamond-shaped panels is mounted on wooden frames in a workshop; they stand in sequence, with scattered tools and lumber visible in the background on a floor. Row of dark, gabled shelters on brown posts stretches along gravel, as decorative canopies with yellow roof stripes. They sit beside a beige house with white stairs and lattice fencing.